![]() Getting a pad and lead sound of similar 'ancestry' where the lead sound has the 'analog' edge seems like a match made in heaven. Giving you two sounds that will gell together well and create a unity/coherence in the song. But that's already a great starting point from a programmer's perspective.įor the monophonic ones it's great since you can make a monophonic patch on your hardware, then turn on omnisphere and use this sound as the basis/starting point for a polyphonic sound with similar character. No need to have the synth, but you won't have the one-on-one hands on control. I watched the start of the video and I get how cool it is to have a polyphonic Moog Voyager with FX but my Peak is already Polyphonic and has great FX so seeing less advantage unless I'm missing something obvious.you can use the template patches of any of these to have an init patch of a synth sound that has characteristics of the one you chose. ![]() ![]() and control them from the Peak? Can I control all patches seamlessly from my Peak? I only have the Novation Peak on the list of hardware controllers, will I get access to all the new Moog, DSI sounds etc.
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